The image alongside is a 3D computer visualisation of the set for Gaslight, created using Google SketchUp...

...and this is the finished set – built, painted, lit and dressed.

The set is the environment in which the dramatic action takes place on the stage. Sets are important for creating mood, atmosphere and sense of time and place. They can range from the abstract to detailed interior or exterior locations.

The director will usually have a strong conceptual idea and might work with a designer to hone and perfect or will discuss the detail directly with the stage management team and theatre carpenter.

The ultimate responsibility for building the set lies with the stage carpenter, who is currently a paid employee, but volunteer assistance is always needed. Any DIY or construction skills can be put to good use in this area of the operation.

How it works

No previous experience of set building is required, although any that you have will be valuable. Learning takes place on the job under the supervision of our experienced builders and designers. If you have enthusiasm, flexibility, imagination, experience and a desire to learn then you will be very welcome.

With nine productions a year there is always something to do and you can tailor your commitment to your available time.

The work is always varied, and the set building team often face new challenges. Sets that look simple and minimal are often the most technically demanding to create.

Together with designing and building, the team are also the scenic artists, often working with more experienced scenic artists to create complex effects.

Commitment and reward

The set builders meet on Tuesdays and Thursdays from 7.30pm. They take great pride and pleasure in creating something which, built in a short period, looks believable and substantial. The team is a mixed group of all ages, genders and abilities. No one is turned away and everyone is made to feel welcome. But beware: being part of a team with a professional attitude and taking great pride in what they do with a passion to produce great environments for quality theatre can become highly addictive.

What to do next

For more information and to find out how to get involved in the set design and build team, contact Richard Pemberton.

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